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23 Cool Tech Facts You Should Know

In a world run by Internet connectivity for all aspects of life, from efficient work operations and management to social networking connections, it is no surprise that information is the foundation of our collective future. That being said, here are some quirky facts about technology that you may find surprising.

1. On eBay, there is an average of $680 worth of transactions every second.

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2. Ninety-one percent of all adults have their mobile phone within arm’s reach every hour of every day.

3. There are 6.8 billion people on the planet and 4 billion of them use a mobile phone. Only 3.5 billion of them use a toothbrush.

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4. Hewlett Packard, Microsoft, as well as Apple have one not so obvious thing in common – they were all started in a garage.

5. Twenty-five percent of Americans use only a mobile device to use the Internet.

6. Every minute, 100 hours of video are uploaded on YouTube by individual users.

7. There are 271 million mobile subscribers within the United States alone, and numbers are quickly growing.

8. Two hundred and twenty million tons of old computers and other technology devices are trashed in the United States each year.

9. Ninety percent of text messages are read within three minutes of being delivered.

10. Thirty million individuals watch television programming from their mobile phones.

11. The average 21 year old has spent 5,000 hours playing video games, sent 250,000 emails, instant messages, and text messages, and has spent 10,000 hours on a mobile phone alone.

12. The first personal computer was created by Berkeley Enterprises. Affectionately referred to as Simon, it sold for a pricey $300 in 1950.

13. It has been 40 years since the world’s first mobile phone call successfully took place.

14. On average, technology users carry 2.9 devices on them at all times.

15. There are 350 million Snapchat messages sent every day.

16. Since the company’s inception, there have been 144.7 million individual visitors to Facebook, making it the most visited social networking site as of June 2013.

17. RadioShack was one of the first companies to start the personal computer revolution, back in 
1970, with its TRS-80.

18. The first mouse was invented by Douglas Engelbart in 1963; it consisted of a hard wooden shell and two clunky metal wheels.

19. Of the 60 billion emails that are sent on a daily basis, 97 percent are considered spam.

20. The first cell phone sold in the United States – the Motorola DynaTAC 8000X – was designed by Rudy Krolopp in April of 1984. It weighed two pounds.

21. Google handles an estimated 1 billion search queries each and every day, releasing almost 200 tons of CO2 per day.

22. There are 500 apps added each day to the Windows Phone Store.
And most importantly… 

23. The man known as the Father of Information Theory, Claude Shannon, invented the digital circuit – the foundation of the magic that provides us all access to the Internet today - during his master’s degree program, when he was just 21 years old.

Decoding the selfie: The mirror reversed?

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That the selfie is some kind of a clue to the times we live in is difficult to argue with. Its ubiquity is everywhere, if one may be allowed to mirror the superfluous abundance of the phenomenon in question. It seems to be an impulse that is difficult to fight, and multiplied with the popularity of smartphones and social media sites, the world becomes a receptacle for countless images of the self. It is in the eyes of many, a sign of the narcissism that pervades this age, as our love for the self spills over into the firm conviction that the world needs us on endless rotation, as we go through the excruciatingly trivial moments of our life.

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This is both true and a little unfair. For at one level, the selfie is just an extension of an age-old desire- to somehow pin down the slippery nature of the self. It is a central paradox of our lives that we are unable to grasp our being as others grasp it. We see everything in the world through an intensely experienced entity that we know to be ourselves but we cannot simultaneously turn the gaze inwards in any satisfying way. The mirror produced the earliest selfies, but the mirror showed the self as a tremulous being, that was always dying to escape from itself, with every little movement indicative of subsequent flight. One could watch oneself completely still, but one could only see oneself seeing oneself in the mirror. The mirror owned the person looking into it; it froze the watcher into being a mirror image of itself.

Trying to shoot oneself in the mirror was a fruitless exercise for we wound up shooting ourselves in the face, so to speak. Obscured by the camera, the attempt mocked us for it was an existential dead-end, the erasure of the very face that we wanted captured; erased by our effort to capture it. The camera that we used to shoots ourselves, became the reason why we could not be shot. A satisfyingly neat irony, if one likes that sort of thing.

The selfie is an attempt to escape the confines of the mirror. It uses profusion as a way of grasping the self in motion as it navigates different roles and contexts. It still needs one hand to be used in the capture of the self, but it does allow us to be doing things we do without being locked up in the mirror. We might be tied to an arm’s length of ourselves, but the selfie captures for future consumption many versions of a quicksilver self. The selfie is a photograph without carrying with it the studied formality that accompanies the act of being photographed. Beginning with its name which suggests that the self is an endearing pet of some kind that one scratches the belly of while cooing adorable names to it in a made-up language, the selfie breaks down the apparent solidness attached to the idea of an individual into a gel-like intermediate state, one that avoids concrete definition and easy categorization. The self is imagined as a blur of different intentions, rather than as a settled mode of being.

It is also part of a need to get inside the self a little better, to unravel it in different ways. This takes many forms, including the rash of self-administered quizzes that we can take on social media sites. Which tyrant from history do you most closely resemble? What kind of salad vegetable are you? Myself watercress. We look for some understanding and then flaunt it to the world, seeking validation which is easy to get- some obliging person will ‘like’ this form in which we present ourselves.

Like the signature, the selfie is an affirmation of one’s existence from one’s own perspective. There is a phase in life when we scribble our signature everywhere; this in spite of the fact that as a carrier of identity, the signature is completely detached from any kind of reality. It does not evoke who we are, except through a scribbled form of a code called language. The selfie is at some basic level, a similar exercise in multiplying a sensation of the self.
But the selfie does much more for it is part of a much more significant shift beginning to take place. As the popularity of Instagram establishes, the selfie is the beginning of a more visual culture that is starting to take root. On Instagram, the individual does not merely become the subject of the camera; she becomes the camera. What gets presented is a non-textual account one’s life that follows a very different grammar of communication. The world of text is one of logic and sequence where meaning strives to universality while the narrative that is made up of a series of photographs comes with no prefabricated meaning and it is the viewer who puts it together in her head as she deems fit. The selfie, as the basic unit of a visual vocabulary, becomes the starting point of a fascinating journey in a new kind of narrative.

That does not mean that the selfie is not narcissistic but that it is much more. The human need to come to terms with the strangeness of one’s physical self even as we celebrate its familiarity has found a new mode of expression. The unbundling of the individual is in progress, and the need to understand the self much better and to circulate this newfound knowledge to the world in ever newer ways. The self is being imbued with much greater significance but it is also simultaneously in the process of being grasped in finer detail. The universe is no longer something that resides outside; even the individual is being imagined as one. The selfie looks out at the world but also wants to look in and find something that has so far eluded grasp.

About The Author:

Santosh Desai

Santosh Desai is a leading ad professional. He says he has strayed into writing entirely by accident, and for this he is "grateful". "City City Bang Bang" looks at contemporary Indian society from an everyday vantage point. It covers issues big and small, tends where possible to avoid judgmental positions, and tries instead to understand what makes things the way they are. The desire to look at things with innocent doubt helps in the emergence of fresh perspectives and hopefully, of clarity of a new kind.